Melodrama in farsa v letovišču: južnoevropski pogled
DOI:
https://doi.org/10.3986/pkn.v48.i3.06Ključne besede:
imagologija, evropsko Sredozemlje, obala, letovišče, nostalgija, melodrama, tragedija, farsaPovzetek
Članek obravnava pripovedne strategije upovedovanja zgodovinskih sprememb v evropskem sredozemskem obalnem pasu. Osredotoča se na obalo kot prizorišče trka med naravnim in družbenim, pa tudi med zasebnim in skupnim. Sodobne katalonske, španske, francoske, italijanske in grške romanopisce turizem in pospešena urbanizacija obalnega pasu spodbujata k tematizaciji identitete in zgodovinskega položaja Sredozemlja v Evropi in svetu. Članek analizira letovišče kot specifičen pripovedni topos in raziskuje razmerja med zgodovinskimi pojmovanji, okoljskim imaginarijem in pripovedno formo. Natančno branje romana Metina Arditija L'enfant qui mesurait le monde in romana Massima Maugerija Trinacria Park osvetli izzive pri upovedovanju kompleksnosti družbene konstrukcije južnoevropskih obal v posameznem pripovednem tekstu. Medtem ko se Arditi grške krize loteva s pomočjo melodrame in nostalgije do ruševin, Maugeri prikaže zgodovinski lok sicilijanskega otoka od tragedije do farse in navsezadnje katastrofe. Te analize članku nazadnje omogočijo, da se dotakne strukture pripovednih reprezentacij modernizacije v evropskem delu Sredozemlja.
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