Fantazijska mladinska književnost na prehodu v 21. stoletje: primer britanskega prostora
Ključne besede:
angleška književnost, 20./21. stol., mladinska književnost, fantazijska literatura, fantastična pripovedPovzetek
Članek problematizira Fryevo delitev na realistično-mimetično in fantazijsko-eskapistično pisanje ter pokaže, da v sodobnih fantazijskih romanih za mlado bralstvo v Britaniji poteka bitka za novo videnje subjekta.Literatura
Armitt, Lucie. Theorising the Fantastic. London, Sydney, Auckland in New York: Arnold, 1996.
Attebery, Brian. Strategies of Fantasy. Boomington: Indiana University Press, 1992.
Belsey, Catherine. »Constructing the Subject, Deconstructing the Text.« Feminisms. Ur. R. R. Warhol in D. P. Herndl. New Brunswick in New Jersey: Rutgers University Press, 1997. 593–609.
Bertagna, Julie. Exodus. London, Basingstoke in Oxford: Young Picador, 2002.
Bould, Mark. »The Dreadful Credibility of Absurd Things: A Tendency in Fantasy Theory.« Historical Materialism 10.4 (2002): 51–88.
Colfer, Eoin. Artemis Fowl. London: Penguin Books Limited, 2002 (2001).
Cornwell, Neil. The Literary Fantastic: From Gothic to Postmodernism. New York in London: Harvester Wheatsheaf, 1990.
Deleuze, Gilles, in Felix Guattari. A Thousand Plateaus. Capitalism and Schizophrenia. London: The Athlone Press, 1999 (1987).
Faludi, Susan. Backlash: The Undeclared War Against American Women. New York: Anchor Books, 1991.
Frye, Northrop. Anatomy of Criticism. Four Essays. Princeton: Princeton University Press, 1957.
Goh, Robbie B. H. »Consuming Spaces: Clive Baker, William Gibson and the Cultural Poetics of Postmodern Fantasy.« Social Semiotics 10.1 (2000): 21–39.
Hatlen, Burton. »Pullman’s His Dark Materials, a Challenge to the Fantasies of J. R. R. Tolkien and C. S. Lewis, with an Epilogue on Pullman’s Neo-Romantic Paradigm of Paradise Lost.« His Dark Materials Illuminated: Critical Essays on Philip Pullman’s Trilogy. Ur. Millicent Lenz in Carole Scott. Detroit: Wayne State University Press, 2005. 75–94.
Hunt, Peter. »Introduction: Fantasy and Alternative Worlds.« Alternative Worlds in Fantasy Fiction. Ur. Peter Hunt in Millicent Lenz. London in New York: Continuum, 2001. 1–41.
Huse, Nancy. »The Blank Mirror of Death: Protest as Self-Creation in Contemporary Fantasy.« The Lion and the Unicorn 12.1 (1988): 28–42.
Jackson, Rosemary. Fantasy: The Literature of Subversion. London in New York: Methuen, 1981.
McCallum, Robyn. Ideologies of Identity in Adolescent Fiction. The Dialogic Construction of Subjectivity. New York in London: Garland Publishing, 1999.
Nicholson, William. The Wind Singer. London: Edgemont Books Limited, 2000.
Nikolajeva, Maria. »Fairy Tale and Fantasy: From Archaic to Postmodern.« Marvels and Tales: Journal of Fairy Tales Studies 17.1 (2003): 138–156.
– – –. »Harry Potter – A Return to the Romantic Hero.« Harry Potter’s World. Multidisciplinary Critical Perspectives. Ur. Elizabeth E. Heilman. New York in London: RoutledgeFalmer, 2003. 125–140.
– – –. Time in Children’s Literature. Boston: Scarecrow Press, 2000.
Pullman, Philip. The Amber Spyglass. New York: The Ballantine Publishing Group, 2001 (2000).
– – –. The Golden Compass. New York: The Ballantine Publishing Group, 1997 (1995).
– – –. The Subtle Knife. New York: The Ballantine Publishing Group, 1998 (1997).
Rowling, J[oanna] K[athleen]. Harry Potter and the Chamber of Secrets. London: Bloomsbury, 1998.
– – –. Harry Potter and the Goblet of Fire. London: Bloomsbury, 2000.
– – –. Harry Potter and the Order of Phoenix. London: Bloomsbury, 2003.
– – –. Harry Potter and the Philosopher’s Stone. London: Bloomsbury, 1997.
– – –. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury, 1999.
Rumbold, Margret. »Taking the Subject Further.« Papers 7.2 (1997): 17–28.
Simoniti, Barbara. »Nonsens kot literarni pojav, njegovo ubesedovanje in prevajanje.« Književni prevod. Ur. Meta Grosman. Ljubljana: Znanstveni inštitut Filozofske fakultete, 1997. 75–88.
Stephens, John. »Maintaining Distinctions: Realism, Voice, and Subject Position in Australian Young Adult Fiction.« Transcending Boundaries: Writing for a Dual Audience of Children and Adults. Ur. Sandra L. Beckett. New York in London: Garland Publishing, 1999. 183–198.
Sullivan III, C. W. »High Fantasy.« International Companion Encyclopedia of Children’s Literature. Ur. Peter Hunt in Sheila Ray. London: Routledge, 1996. 303–313.
Trites Seelinger, Roberta. »The Harry Potter – Novels as a Test Case for Adolescent Literature.« Style 35.3 (2001): 472–485.
White Mooneyham, Laura. »Domestic Queen, Queenly Domestic: Queenly Contradictions in Carroll’s Through the Looking Glass.« Children’s Literature Association Quarterly 32.2 (2007): 110–128.
