Elektronska literatura in nove družbene paradigme

Avtorji

  • Janez Strehovec

Ključne besede:

literatura in družba, digitalna umetnost, novi mediji, elektronska literatura, algoritemska kultura, postfordizem, nove družbene paradigme

Povzetek

K analizi elektronske literature kot področja, za katerega je bistvena vpetost v algoritemsko kulturo in poindustrijske storitve, pristopamo v tem eseju s konceptualnim aparatom sodobnih družbenih teorij.

Literatura

Adorno, Theodor W. Aesthetic Theory. Minneapolis: University of Minnesota Press, 1997 [1970].

Balides, Constance. »Virtual Spaces and Incorporative Logics: Contemporary Films as Mass Ornaments.« MIT Communications Forum. Splet 13. apr. 2011. http://web.mit.edu/comm-forum/papers/balides.html.

Bauer Rene, Suter Beat. »AndOrDada.« 2008. Splet 24. feb. 2013. http://elmcip.net/creative-work/andordada-0.

Bell, Daniel. The Coming of Post-Industrial Society. A Venture in Social Forecasting. New York: Basic Books, 1973.

Beller, Jonathan: The Cinematic Mode of Production. Hannover in London: UP of New England, 2006.

Bookchin, Natalia. »Mass Ornament.« 2009. Splet 9. maj 2012. http://vimeo.com/5403546.

Bouchardon, Serge. »Touch, Toucher.« E-Literature Collection 2. Splet 13. feb. 2012. http://collection.eliterature.org/2/works/bouchardon_toucher.html.

Carpenter, C. R. »Along the Briny Beach.« Splet 13. feb. 2013. http://luckysoap.com/alongthebrinybeach/alongthebrinycredits.html.

Cayley, John. »Writing to be Found and Writing Readers.« Digital Humanities Quarterly 5.3 (2011). Splet 19. feb. 2013. http://digitalhumanities.org/dhq/.

Critical Art Ensemble. »Free Range Grain. 2003–2004.« Splet 28. feb. 2013. http://www.homeshopbeijing.org/nichilema/?page_id=58.

Debord, Guy. Družba spektakla. Ljubljana: ŠOU, 1999. (Koda).

Electronic Disturbance Theatre 2.0. 2007–2008. »Transborder Immigrant Tool.« Splet 26. jan. 2013. http://vimeo.com/27222287.

Eskelinen, Markku. Cybertext Poetics. The Critical Landscape of New Media Literary Theory. New York, London: Continuum, 2012.

Gadamer, Hans-Georg. Truth and Method. London: Sheed & Ward, 1975.

Galloway, Alexander R. Teorija video iger. Eseji o algoritemski kulturi. Ljubljana: Maska, 2011.

Gibson, William. Nevromant. Ljubljana: Cankarjeva založba, 1997.

Goriunova, Olga. »Autocreativity and Organisational Aesthetics in Art Platforms.« Fibreculture Journal, 17, 2011. Splet 14. apr. 2012.http://seventeen.fibreculturejournal.org/fcj-115-autocreativity-and-organisational-aesthetics-in-art-platforms/.

Jameson, Fredric. Postmodernizem. Ljubljana: Problemi – Razprave, 1992.

Johnson, Steven. Interface Culture. New York: HarperEdge, 1997.

Kane, Carolyn. »Dancing Machines: An Interview with Natalie Bookchin.« Splet 31. avg. 2011. http://rhizome.org/editorial/2009/may/27/dancing-machines/.

Kracauer, Siegfried. The Mass Ornament. Weimar Essays. Prev., ur. in uvod Thomas Y. Levin. Cambridge: Harvard UP, 1995.

Lash, Scott. Sociology of Postmodernism. London in New York: Routledge, 1990.

Lazzarato, Maurizio. »Struggle, Event, Media.« Prev. Aileen Derieg. Splet 19. dec. 2011. http://eipcp.net/transversal/1003/lazzarato/en.

Manovich, Lev. The Language of New Media. Cambridge, MA: The MIT Press, 2002.

Murray, Janet H. Hamlet on the Holodeck. Cambridge: The MIT Press, 1997.

Peljhan, Marko. »Makrolab.« Documenta X. Short Guide/Kurzführer. Ostfildern: Cantz, 1997. 184–185.

Quaranta, Domenico. »The Postmedia Perspective. Rhizome.org.« Splet 15. apr. 2012. http://rhizome.org/editorial/2011/jan/12/the-postmedia-perspective/.

Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: John Hopkins UP, 2001.

Strehovec, Janez. »Attitudes on the Move. On the Perception of Digital Poetry Objects.« CyberText Yearbook 2002–2003. Ur. M. Eskelinen in R. Koskimaa. Jyväskylä: Research Centre for Contemporary Culture, University of Jyväskylä, 2003. 39–55.

– – –. »Digital Literary Text as a Play and a Ride.« OLE Officina di Letteratura Ellettronica. Lavori del Convegno. Ur. Lello Masucci in Giovanna di Rosario. Neapelj: Atelier Multimediale edizioni, 2011. 381–393.

– – –. »Digital Poetry Beyond the Methaphysics of Projective Saying.« Regards Croises. Perspectives on Digital Literature. Ur. Philippe Bootz in Sandy Baldwin. Morgentown: West Wirginia UP, 2010. 63–83.

– – –. »The Software Word: Digital Poetry as a New Media-Based Language Art.« Digital Creativity 15.3 (2004): 143–158. Splet 13. apr. 2013, doi: 10.1080/14626260408520176.

Striphas, Ted. »Who Speaks for Culture?« Splet 26. okt. 2011. http://www.thelateageofprint.org/2011/09/26/who-speaks-for-culture/.

Virno, Paolo. A Grammar of the Multitude. For an Analysis of Contemporary Forms of Life. Prev. Isabella Bertoletti et al. New York: Semiotext(e), 2004.

Wardrip-Fruin, Noah. Expressive Processing: Digital Fictions, Computer Games, and Software Studies. Cambridge, MA in London: The MIT Press, 2009.

Prenosi

Objavljeno

2017-10-26

Številka

Rubrike

Tematski sklop