Elizabeth Bishop in vilanela: ena umetnost, ocean in dva jezika
DOI:
https://doi.org/10.3986/pkn.v42.i3.05Ključne besede:
ameriška poezija, Bishop, Elizabeth, vilanela, polisemični refren, literarno prevajanje, prevodi v slovenščino, Taufer, VenoPovzetek
Povod za nastanek tega prispevka je znana pesem Elizabeth Bishop »Ena umetnost« (»One Art«), ki kot vilanela izstopa v sodobni poetiki: združuje dolgotrajno zapuščino modernističnega svobodnega verza in številne veje eksperimentalne postmoderne poezije v Združenih državah Amerike. Podobno kot Ted Roethke tudi Elizabeth Bishop priznava tradicionalno šestkitično pesniško obliko z angleškim poimenovanjem »villanelle« ali »vilanelle« kot primeren medij za izražanje razmišljanja razgledane peripatetične lezbične pesnice poznega 20. stoletja. Formalno gre za anahronistično prisvajanje; v estetskem smislu gre za triumf. Vprašanja, ki jih odpira pesem Elizabeth Bishop in si jih ta prispevek zastavlja, so predvsem tri: prvo se dotika ustreznosti obstoječe terminologije za opredelitev koncepta refrena – tu avtorja predlagava vpeljavo novega termina: polisemični refren (angl. polysemic repetend). Drugo vprašanje se posveča globalnemu vplivu pesmi »One Art«. Nato prispevek obravnava prisotnost vilanele v slovenski poetiki ter se posveti slovenskemu prevodu vplivne vilanele »Ena umetnost«, saj je bil glede na formalno kompleksnost metrične sheme, rime in sistema refrenov za prevajalca Vena Tauferja nedvomno trd prevajalski oreh. Študija si tako prizadeva za razumevanje vzporednic v estetiki novega formalizma med ameriško in slovensko poezijo.Literatura
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