Liminalni prostor poezije Métis: med središčem in obrobjem
DOI:
https://doi.org/10.3986/pkn.v46.i3.05Ključne besede:
kanadska književnost, literarni prostor, liminalnost, kulturna identiteta, poezija Métis, Riel, Louis, Johnson, Pauline, McIlwraith, NaomiPovzetek
Članek preučuje literarni prostor kanadske književnosti v svetovni književnosti in mejni prostor poezije Métis, ki se na prav poseben način umešča med evropski in avtohtoni vidik kanadske književnosti. Paradoks je ta, da lahko poezija in literatura Métis v Kanadi, ki sta bili dolgo marginalizirani, zdaj v svetovni in primerjalni književnosti ustvarita nov prostor za kanadsko literaturo, za to majhno med velikimi literaturami, in pesnike, rojene ali živeče v Kanadi. S tem, ko preučujemo poezijo Métis v Kanadi ter analiziramo pesništvo Louisa Riela (1844–1885), Pauline Johnson (znane tudi kot Tekahionwake ali Dvojni Wampum, 1861–1913) in Naomi McIlwraith (sodobnica), kreiramo občutek posebnosti in enkratnosti, čeprav se nekatere od teh lastnosti lahko pojavijo tudi v poeziji »Métis« zunaj Kanade. Riel in McIlwraith zasedata literarni in kulturni vmesni prostor – Riel piše v francoščini, McIlwraith pa v angleščini in algonkinskem creeju – ter prepletata malo in veliko središče, kot del tega pa tudi »narod v narodu«, ta mejni prostor, kjer se prevprašujejo sebstvo, identiteta in drugi.
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