Podoba Angelus Novus v pesniški zbirki Ictus Bojana Vasića
DOI:
https://doi.org/10.3986/pkn.v48.i1.02Ključne besede:
srbska poezija, samizdat, Caché, Vasić, Bojan, Benjamin, Walter: Zgodovinsko-filozofske teze, Angelus NovusPovzetek
Leta 2012 je v okviru skupine, zbrane okoli samozaložniške edicije Caché (Tamara Šuškić, Goran Korunović, Vladimir Tabašević, Uroš Kotlajić), sodobni srbski pesnik Bojan Vasić objavil svojo pesniško knjigo Ictus. V središču te knjige je reprodukcija akvarela Angelus Novus, ki ga je leta 1920 naslikal Paul Klee. Slika je bila v lasti Walterja Benjamina, ki jo je večkrat interpretiral v svojih besedilih, pri čemer je njena najbolj znana interpretacija podana v njegovih »Zgodovinsko-filozofskih tezah«. Pričujoči članek analizira, na kakšen način je podoba Angelus Novus vključena v pesniško zbirko Ictus in kako skozi lik angela besedilo komunicira z Benjaminovimi tezami. Na podlagi interpretacije paratekstualnih elementov zbirke (naslovnica, tipografija in pomen naslova, epigrafi itd.), njene kompozicije okoli slike ter različnih pomenov, ki se vzpostavljajo v samem besedilu, razprava pokaže, kako Vasić pesniško reinterpretira Benjaminovo razumevanje zgodovine in kritiko napredka.
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