Odmevi prevoda v pripovedih Svetlane Aleksijevič
DOI:
https://doi.org/10.3986/pkn.v48.i1.08Ključne besede:
beloruska književnost, Aleksijevič, Svetlana, dokumentarna proza, sovjetska zgodovina, avtobiografska pričevanja, prevod, ponovni prevodPovzetek
Razprava raziskuje prisotnost prevoda v delu Svetlane Aleksijevič, beloruske novinarke in Nobelove nagrajenke za književnost (2015). Sredi razpravljanja o tem, ali je treba njene knjige kategorizirati kot leposlovje ali neleposlovje, predlagamo alternativni pogled na njen cikel Glasovi iz utopije, ki ga je mogoče razumeti tudi kot prevod sovjetske zgodovine. Z uporabo sodobnih teorij prevajanja, ki širijo definicijo prevoda onkraj zgolj medjezikovnega prenosa, lahko opazimo, kako prevod v njenih besedilih deluje na različnih ravneh. Ta proces ne vključuje samo prič, s katerimi se pogovarja pisateljica, ampak se razširi tudi na bralce. Natančneje, intervjuvanci s procesom (samo)prevajanja opisujejo svoje preživete izkušnje, njihovi glasovi pa postanejo polifoni zbor, ki ponuja sveže vpoglede v zgodovino ZSSR. Aleksijevič ta ustna pričevanja prevaja v pisne dokumente, ki so nato podvrženi večkratnim ponovnim prevodom zaradi nenehnih sprememb v pripovedih, v katere sta potopljena tako avtoričino občinstvo kot avtorica sama. Ti prevodi in ponovni prevodi pričevanjem zagotavljajo posmrtno življenje in vplivajo na to, kako bralci prevajajo zgodovino in se potopijo v množico njenih različic. Razumevanje zgodovinskega opusa Svetlane Aleksijevič kot nenehnega toka prevodov, ki pritegnejo vse, od prič do bralcev, odpira nove možnosti za interpretacijo njenega cikla.
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