Gibljive besede-podobe: elektronsko literarno besedilo v času filma, videa in interneta
Ključne besede:
literatura in novi mediji, elektronska literatura, video, medmrežje, vmesnik, bralna kulturaPovzetek
Dela elektronske animirane literature se umeščajo na presečišče tega področja s filmom in videom, kar pomeni, da lahko sledimo tudi prenosu filmskih in video postopkov na področje digitalne besedilnosti. Ta prispevek obravnava gibljive besede-podobe kot temeljne enote takšnih besedil, organiziranih tudi glede na časovno in prostorsko slovnico.Literatura
Alexander, Amy. CyberSpaceLand. 2003–. Splet. 19. 5. 2014. http://amy-alexander.com/live-performance/cyberspaceland.html.
Beller, Jonathan. The Cinematic Mode of Production. Hannover in London: Dartmouth Colege Press, 2006.
Benjamin, Walter. »Krisis des Romans. Zu Döblins Berlin Alexanderplatz.« Gesammelte Schriften. III. Frankfurt ob Majni: Suhrkamp, 1972. 230–236.
− − −. »Umetnina v času, ko jo je mogoče tehnično reproducirati.« Izbrani spisi. Ljubljana: SH, Zavod za založniško dejavnost, 1998.
Bolter, Jay David in Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: The MIT Press, 2000.
Bonitzer, Pascal. »Hitchcockian Suspense.« Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock). Slavoj Žižek (ur.). London: Verso, 1992. 15–30.
− − −. Slepo polje. Ljubljana: ŠKUC, Filozofska fakulteta, 1985.
Bouchardon, Serge in Vincent Volckaert. Loss of Grasp. 2010. Splet. 10. 9. 2013. http://lossofgrasp.com/.
Bourchardon, Serge, Kevn Carpentier in Stéphanie Spenlé. Touch. 2009. E-Literature Collection. II. Cambridge, Massachusetts: Electronic Literature Organization, 2011. Splet. 19. 12. 2014. http://collection.eliterature.org/2/works/bouchardon_toucher.html.
Burroughs, William S. Word Virus: The William S. Burroughs Reader. Ur. James Grauerholz in Ira Silverberg. New York: Grove Press, 2000.
Carpenter, J. R. Along the Briny Beach. Splet. 13. 2. 2013. http://luckysoap.com/alongthebrinybeach/alongthebrinycredits.html.
Cayley, John. »Writing to Be Found and Writing Readers.« Digital Humanities Quarterly 5.3 (2011). Splet. 14. 12. 2011. http://www.digitalhumanities.org/dhq/vol/5/3/000104/000104.html.
Cheney-Lippold, John. »A New Algorithmic Identity. Soft Biopolitics and the Modulation of Control.« Theory, Culture & Society 28.6 (2011): 164–181. DOI: 10.1177/0263276411424420.
Crystal, David. Language and the Internet. Cambridge: Cambridge University Press, 2001.
Dinzmore, Claire. The Dazzle as Question. 2002. Splet. 19. 5. 2014. http://poemsthatgo.com/gallery/summer2002/dazzle/launch.htm.
Drucker, Johanna. »Performative Materiality and Theoretical Approaches to Interface.« Digital Humanities Quarterly 7.1 (2013). Splet. 7. 1. 2013. http://www.digitalhumanities.org/dhq/vol/7/1/000143/000143.html.
Ekman, Ulrik. Throughout. Art and Culture Emerging with Ubiquitous Computing. Cambridge, London: The MIT Press, 2013.
Flusser, Vilém. Digitalni videz. Ljubljana: Študentska založba, 2000. (Zbirka Koda).
Galloway, Alexander R. Teorija video iger. Eseji o algoritemski kulturi. Ljubljana: Maska, 2011.
Genette, Gerard. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press, 1997.
Groys, Boris. Google: Words Beyond Grammar. Ostfildern: Hatje Cantz Verlag GmbH, 2012. (Zbirka dOCUMENTA (13): 100 Notizen – 100 Gedanken). Splet. 3. 6. 2014. http://traumawien.at/stuff/texts/groys%E2%80%93googlegrammar.pdf.
Hoover, Wesley A. in Philip B. Gouch. »The Simple View of Reading.« Reading and Writing: An Interdisciplinary Journal 2 (1990): 127–160.
Jameson, Fredric. Postmodernizem. Ljubljana: Problemi – Razprave, 1992.
Karpińska, Aya. Shadows Never Sleep. 2008. Splet. 29. 2. 2014. www.technekai.com/shadow/shadow.html.
Lazzarato, Maurizio. »Machines to Crystallize Time: Bergson.« Theory, Culture & Society 24.6 (2007): 93–122. DOI: 10.1177/0263276407078714.
Lessing, Gotthold Ephraim. Laocoon: An Essay on the Limits of Painting and Poetry. 1766. Prev. E. A. McCormick. Indianapolis, In.: Bobbs-Merrill, 1962.
Manovich, Lev. Software Takes Command. 2008. [Released under CC]. Splet. 3. 12. 2013. http://black2.fri.uni-lj.si/humbug/files/doktorat-vaupotic/zotero/storage/D22GEWS3/manovich_softbook_11_20_2008.pdf.
Mez. »Netwurker.« 16. 12. 2013. Splet. 22. 5. 2014. http://netwurker.livejournal.com/148813.html.
Nelson, Jason. Nothing You Have Done Deserves Such Praise. 2013. Turbulence. Splet. 30. 10. 2013. http://www.turbulence.org/Works/nothing.
Snow, Michael. So Is This. 1982. Splet. 19. 5. 2014. https://www.youtube.com/watch?v=8i6H1KDJ9Ic, https://www.youtube.com/watch?v=uxDLswrcc28, https://www.youtube.com/watch?v=UVusPSFKFaI, https://www.youtube.com/watch?v=O5-LjH62YnM, https://www.youtube.com/watch?v=CQ2S1K7HH6k.
− − −. Wavelength. 1966/67. Splet. 19. 5. 2014. https://www.youtube.com/watch?v=aBOzOVLxbCE.
Strehovec, Janez. »Algorithmic Culture and E-Literary Text Semiotic.« Cultura. International Journal of Philosophy of Culture and Axiology 10.2 (2013): 141−156. DOI: 10.5840/cultura201310218.
− − −. »Digital Literary Text as a Play and a Ride.« Officina di Letteratura Elettronica: Lavori del Convegno. Neapelj: Atelier Multimediale Edizioni, 2011. 381−393.
− − −. »E-Literary Text and the New Media Paratexts.« Examining Paratextual Theory and Its Applications in Digital Culture. Ur. N. Desrocher in D. Appolon. DOI: 10.4018/978-1-4666-6002-1.ch003. Hershey PA: IGI Global, 2014.
− − −. »The Software Word: Digital Poetry as a New Media-Based Language Art.« Digital Creativity 15.3 (2004): 143−158. DOI: 10.1080/14626260408520176.
Stefans, Brian Kim. The Dreamlife of Letters. 2000. E-Literature Collection. I. Cambridge, Massachusetts: Electronic Literature Organization, 2006. Splet. 20. 5. 2014. http://collection.eliterature.org/1/works/stefans__the_dreamlife_of_letters/dreamlife_index.html.
Striphas, Ted. »Who Speaks for Culture?« 2011. The Late Age of Print: Beyond the Book (Blog). Splet. 14. 5. 2014. http://www.thelateageofprint.org/2011/09/26/who-speaks-forculture.
Torres, Rui. Poemas no meio do caminho. 2009. E-Literature Collection. II. Cambridge, Massachusetts: Electronic Literature Organization, 2011. Splet. 13. 2. 2013. http://collection.eliterature.org/2/works/torres_poemas_caminho.html.
Youngblood, Gene. Expanded Cinema. New York: P. Dutton & Co., Inc.,1970.
