Retorika imagizma v filmski poetiki Jeana Cocteauja in Abbāsa Kīyārustamīja: primerjalna študija
DOI:
https://doi.org/10.3986/pkn.v45.i2.10Ključne besede:
literatura in film, intermedialnost, francoska poezija, perzijska poezija, Cocteau, Jean, Kīyārustamī, Abbās, filmska poetika, imagizemPovzetek
Članek preučuje skupna imagistična načela dveh filmskih ustvarjalcev-pesnikov v eksperimentalnem žanru poetičnega filma. Po eni strani francoski pesnik, ki je postal filmski ustvarjalec, Jean Cocteau, uteleša imagistični eksperiment francoskega cineasta, ki preizkuša narativni okvir poezije, da bi ustvaril film »na podlagi strani«. Po drugi strani je iranski pesniško-filmski ustvarjalec, Abbās Kīyārustamī, s tem ko ustvarja vizualne podobe, močno odvisne od bralčevega ustvarjalnega angažmaja, tipičen primer filmske estetike v perzijski moderni poeziji. Retorika imagizma, tega kratkotrajnega modernističnega gibanja z začetka dvajsetega stoletja, je tisto, kar oba filmska ustvarjalca-pesnika na podoben način vključujeta v svoje filmsko-poetične študijske primere, kot sta Tempest of Stars (1997) J. Cocteauja in A Wolf Lying in Wait (2005) A. Kīyārustamīja. Članek s primerjalnim pristopom k njunim skupnim imagističnim osnovam, kot so ekonomičnost besedila in fraziranja, kinematografska prilagoditev vizualnih podob, strogost in jasnost vizije, pesniška interpretacija vsebine, izogibanje nejasnim in dvoumnim opisom ter pisateljski pristop k retoriki pesmi, dokaže, da J. Cocteau in A. Kīyārustamī poosebljata imagistično filmsko poezijo v francoski in perzijski literaturi.
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