Sto let sinizacije: širjenje in recepcija slovenske književnosti na Kitajskem
DOI:
https://doi.org/10.3986/pkn.v47.i3.08Ključne besede:
slovenska književnost, literarna recepcija, Kitajska, prevodi, kulturna izmenjava, medkulturna komunikacijaPovzetek
Slovenska književnost je na Kitajskem obravnavana kot del jugoslovanske književnosti v širšem okviru vzhodnoevropske književnosti, njen prenos in recepcija pa sta trajala več kot stoletje. Ta proces lahko razdelimo na tri faze: obdobje pred sredino 20. stoletja, obdobje od petdesetih let 20. stoletja do začetka 21. stoletja in obdobje od drugega desetletja 21. stoletja naprej. Vsaka od faz odraža spremembe v kitajski družbeni, kulturni in politični krajini ter različne pristope k prevajanju in kulturnim dejavnostim. V prvi fazi so kitajski bralci slovensko književnost dojemali kot »književnost majhnih narodov«, ki je odsevala tedanja družbena vprašanja in nacionalne okoliščine. V drugi fazi je bila slovenska književnost obravnavana kot »socialistična književnost« in »književnost tretjega sveta«, pri čemer se je prevodna dejavnost osredotočala na dela, ki so prikazovala družbene boje in dosežke. V tretji fazi je začela kitajska literarna veda na novo vrednotiti raznolikost vzhodnoevropske literature, slovenska literarna dela pa so postopoma pridobivala vpliv v kitajski družbi. Članek raziskuje procese prevajanja, prilagajanja in kulturne izmenjave slovenske književnosti na Kitajskem ter poudarja njeno pomembno vlogo pri spodbujanju kulturnega razumevanja med Kitajsko in Slovenijo. Poudarja tudi potrebo po prihodnjih prizadevanjih za krepitev kulturnih izmenjav in sodelovanja med državama, ki bodo spodbujala globalno kulturno raznolikost.
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