Rhetoric of Space and Poetics of Culture
Keywords:
literature and space, rhetoric of space, New Historicism, culture, English literature, Renaissance, theatre, Mullaney, Steven, Greenblatt, StephenAbstract
Steven Mullaney, one of the authors often associated with New Historicism, in his book The Place of the Stage proposed certain type of analysis of the English Renaissance theatre which he described as Rhetoric of Space. The paper points out how Mullaney’s Rhetoric of Space and reading of the city could be seen as one of the exemplary instances of the application of Poetics of Culture conceived by notable new historicists such as, in the first instance, Stephen Greenblatt.References
Derrida, Jacques. De la grammatologie. Paris: Minuit, 1967.
– – –. La dissémination. Paris: Seuil (Points), 1972.
– – –. Positions. Paris: Minuit, 1972.
Gallagher, Catherine and Greenblatt, Stephen. Practicing New Historicism. Chicago, London: The University of Chicago Press, 2000.
Greenblatt, Stephen. “Invisible Bullets: Renaissance Authority and Its Subversion”. Glyph 8 (1981): 40–61.
– – –. Learning to Curse. London, New York: Routledge, 1992.
– – –. Renaissance Self-Fashioning. Chicago: The University of Chicago Press, 1980.
Montrose, Louis A. “‘Eliza Queen of Shepheards’, and the Pastoral of Power”. The New Historicism Reader. Ed. H. A. Veeser. London, New York: Routledge, 1994. 88–115.
– – –. “Professing the Renaissance: The Poetics and Politics of Culture“. The New Historicism. Ed. H. A. Veeser. London, New York: Routledge, 1989. 15–36.
Mullaney, Steven. The Place of the Stage. Ann Arbor: The University of Michigan Press, 1988.