Beyond Paper: Postmedia and Experimental Art
Keywords:
avant-garde, avant-garde art, poetry and visual arts, experimental poetry, neo-avant-garde, post-avant-garde, postmodernity, art and society, intermedialityAbstract
My intent in this paper is to elaborate on the general concept of “experimental poetry”, its potential application in interpreting poetry as an experimental artistic practice, and to highlight some specific situations in postmedia and flexible work in art, subverting the boundaries between poetry and the visual arts, that is, between society and culture.References
Argan, Giulio Carlo. “Umjetnost kao istraživanje.” Studije o modernoj umetnosti. Belgrade: Nolit, 1982.
Art & Language (Baldwin, Atkinson). Print (2 section A and B) (1966).
Art as Thought Process: Works Bought for the Arts Council. Ed. Michael Compton. London: Arts Council, 1974.
Bernstein, Charles, ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998.
Flaker, Aleksandar. “Optimalna projekcija.” Pojmovnik ruske avangarde. Zagreb: Grafički zavod Hrvatske, 1984.
Heidegger, Martin. “The Question Concerning Technology.” Martin Heidegger: Basic Writings. London: Routledge & Kegan Paul, 1978.
Krauss, Rosalind E. ‘A Voyage on the North Sea’: Art in the Age of the Post-Medium Condition. London: Thames and Hudson, 1999.
– – –. Perpetual Inventory. Cambridge, MA: MIT Press, 2010.
McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: Mentor, 1964.
Selby, Aimee, ed. Art and Text. London: Black Dog Publishing, 2009.