The Principle of Montage and Literature: Fragmented Subjectivity as the Subject-Matter in Novel, Film and in Digital Forms of Narration
Keywords:
literature and film, montage, de-montage, subjectivity, Benjamin, Walter, German literature, Döblin, Alfred, Berlin Alexanderplatz, film adaptations, Fassbinder, Rainer WernerAbstract
This article proceeds from a discussion of Döblin’s novel Berlin Alexanderplatz and its adaptation in a 1931 film and a 1980 TV series. It takes into account Benjamin’s remark about the novel, which is based on the principle of montage. This principle in pluralist settings in today’s world of interplay between constructed realities operates not just through artistic practices, but through a whole complex of various communication, information, and presentations.References
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