The Language of Moving Pictures in Computer-Based Visualizations of a Literary-History Database

Authors

  • Narvika Bovcon

Keywords:

literature and new media, digital humanities, information visualization, user interface, literary history, WomenWriters database, diagrammatic knowledge

Abstract

A digital humanities project has to find an adequate way for presenting the contents of the database it researches. To resolve this task an interdisciplinary team is formed in which a researcher of humanities, a graphic designer and a computer engineer collaborate. The user interface that structures the ordering of the database and guides the queries, as well as its final stage, visualization of the retrieved results, are based on the principles of graphic design, montage of a moving image and the principles of new media. In the background of information visualization and information design is the ability for diagrammatic thinking. The first part of the paper explicates how coding of meaning is based on technologies and different communication media, such as film, video and new media objects. This awareness is a necessary condition for understanding of the complex functioning of information visualization on computers. The usage of quantitative approaches in humanities research is problematized, as it is the basis for the majority of visualization methods, while humanities operate with qualitative, complex, not easily reduced and quantified entities. The second part of the paper presents an experiment in computer-based visualizations of a literary-history database WomenWriters, where the theoretical concepts were tested in practice. The screen-images of selected visualizations show the user interfaces: how meaning is coded in graphical signs organized on the surface of the computer screen and how moving images are used in cases of interaction and animation. The results of the experiment are interpreted and evaluated in the conclusion by considering the relation between the contents of the concrete database and the outcomes of its visualizations.

References

Anderson, Chris. »The Long Tail.« Wired 12.10 (2004). Splet. 24. 2. 2014. http://www.wired.com/wired/archive/12.10/tail.html.

Barabási, Albert-László in Réka Albert. »Emergence of Scaling in Random Networks.« condmat/9910332 (1999). Splet. 22. 2. 2014. http://arxiv.org/abs/cond-mat/9910332.

Bender, John in Michael Marrinan. The Culture of Diagram. Stanford: Stanford University Press, 2010.

Bonitzer, Pascal. Slepo polje. Ljubljana: ŠKUC, Znanstveni inštitut Filozofske fakultete, 1985.

Burdick, Anne, Johanna Drucker, Peter Lunenfeld, Todd Presner in Jeffrey Schnapp. Digital_Humanities. Cambridge, Mass., London: MIT Press, 2012. Splet. 24. 2. 2014. http://mitpress.mit.edu/sites/default/files/titles/content/9780262018470_Open_Access_Edition.pdf.

Drucker, Johanna. »Humanities Approaches to Graphical Display.« Digital Humanities Quarterly 5.1 (2011). Splet. 1. 2. 2014. http://www.digitalhumanities.org/dhq/vol/5/1/000091/000091.html.

Goodman, Nelson. Languages of Art. Indianapolis, Cambridge: Hackett Publishing Company, 1976.

Hladnik, Miran. Nova pisarija: Strokovno pisanje na spletu. 2014. Splet. 1. 2. 2014. http://sl.wikibooks.org/wiki/Nova_pisarija.

Islovar. Ljubljana: Slovensko društvo Informatika, 2001–2014. Splet. 1. 2. 2014. http://www.islovar.org.

Manovich, Lev. The Language of New Media. Cambridge, Mass.: MIT Press, 2001. Splet. 24. 2. 2014. http://www.manovich.net/LNM/Manovich.pdf.

− − −. »What is Visualization?« Visual Studies 26.1 (2011): 36–49. DOI:10.1080/1472586X.2011.548488.

Mihurko Poniž, Katja. »Feministična literarna veda v slovenskem akademskem svetu.« Slovenska literarna veda danes/Slovene Literary Studies Today. Miran Hladnik (ur.). Slavistična revija 61.1 (2013): 209–214, 215–221. Splet. 3. 6. 2014. http://www.srl.si/sql_pdf/SRL_2013_1_17.pdf.

− − −. »Slovenska literarna zgodovina in žensko avtorstvo: stare aporije in nove možnosti.« Vloge središča: konvergenca regij in kultur: Zbornik Slavističnega društva Slovenije. Novak Popov, Irena (ur.). Ljubljana: Zveza društev Slavistično društvo Slovenije, 2010. 393–401.

Vaupotič, Aleš. »Literarno-estetski doživljaj in novi mediji – prihodnost literature?« Primerjalna književnost 30.1 (2007): 203–216. URN:NBN:SI:doc-CGJQOALM pri http://www.dlib.si.

Vrdlovec, Zdenko. »Pojmovni decoupageFilmske figure. Ljubljana: Slovenski gledališki in filmski muzej, 1991. 27–42.

Weibel, Peter. »The Intelligent Image. Neurocinema or Quantum Cinema?« Future Cinema. Cambridge, Mass., London: MIT Press, 2003.

WomenWriters. Ur. Suzan van Dijk. Splet. 1. 2. 2014. http://neww.huygens.knaw.nl.

Published

2017-11-01

Issue

Section

Thematic section