Strife or Rhythm? Martin Heidegger and Giorgio Agamben on the Origin of Art

Authors

  • Lexi Eikelboom

Keywords:

philosophy of art, literature and politics, Heidegger, Martin, Agamben, Giorgio

Abstract

The capacity of art to contribute to peace is dependent upon beliefs about its political contribution. This article demonstrates how two different theories about the ontological and political significance of art have different political effects.

References

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Dickinson, Colby. Agamben and Theology. London: T&T Clark, 2011.

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Gauthier, David J. Martin Heidegger, Emmanuel Levinas, and the Politics of Dwelling. Plymouth, UK: Lexington Books, 2011.

Harries, Karsten. Art Matters: A Critical Commentary on Heidegger’s “The Origin of the Work of Art”. Dordrecht: Springer, 2009.

Heidegger, Martin. An Introduction to Metaphysics. Trans. Ralph Manheim. Oxford: Oxford University Press, 1959.

– – –. Discourse on Thinking: A Translation of Gelassenheit. Trans. John M. Anderson and E. Hans Freund. New York: Harper and Row, 1969.

– – –. Poetry, Language, Thought. Trans. Albert Hofstadter. London: Harper and Row, 2001.

– – –. “The Origin of the Work of Art.” Basic Writings. Ed. David Farrell Krell. London: Routledge, 2007.

Lacoue-Labarthe, Philippe. Heidegger, Art and Politics. Trans. Chris Turner. Oxford: Blackwell, 1999.

Moten, Fred. In the Break: The Aesthetics of the Black Radical Tradition. Minnesota, MN: University of Minnesota Press, 2003.

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Young, Julian. Heidegger’s Philosophy of Art. Cambridge: Cambridge University Press, 2001.

Ziarek, Krzysztof. The Force of Art. Stanford: Stanford University Press, 2004.

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Published

2017-11-01

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Section

Thematic section