Speaking the Poetry of Martin Heidegger and Luce Irigaray

Authors

  • Jeff Stewart

Keywords:

philosophy of art, Heidegger, Martin, Irigaray, Luce, poetry, performativity

Abstract

The article will engage primarily with the writings of Luce Irigaray’s Everyday Prayers and Elemental Passions, and Martin Heidegger’s “The Thinker as Poet” and Contributions to Philosophy (Of the Event), concentrating on their differing poetic-philosophical thinking and sayings of performativity.

References

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Grosz, Liz. Irigaray and the Divine. Sydney: Local Consumption Occasional Papers, 1986. (Monograph 9).

Heidegger, Martin. An Introduction to Metaphysics. Trans. Ralph Manheim. New Haven: Yale University Press, 1987.

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– – –. Contributions to Philosophy (From Enowning). Trans. Parvis Emad and Kenneth Maly. Bloomington: Indiana University Press, 1999.

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Irigaray, Luce. Elemental Passions. Trans. Joanne Collie and Judith Still. London: Athlone Press, 1992.

– – –. Everyday Prayers. Paris: Maisonneuve and Larose, 2004.

– – –. Forgetting of Air in Martin Heidegger. Trans. Mary Beth Mader. Austin: University of Texas Press, 1999.

– – –. Key Writings. London: Continuum, 2004.

– – –. Sharing the World. London: Continuum, 2008.

– – –. Way of Love. Trans. Heide Bostic and Stephen Pluháček. London: Continuum, 2002.

– – –. “Women, the Sacred and Money.” Trans. Diana Knight and Margaret Whitford. Paragraph 8 (October 1986): 6–18.

Pollock, Della. “Performing Writing.” The Ends of Performance. New York: New York University Press, 1997.

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Published

2017-11-01

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