Triglav in Slovenian National Consciousness: Literary Representations of the Alpine Region from the Enlightenment to the Interwar Period
DOI:
https://doi.org/10.3986/pkn.v47.i3.01Keywords:
Slovenian literature, national identity, national mythology, mount Triglav, Vodnik, Valentin, Prešeren, France, Bevk, FranceAbstract
This article analyses various ways in which Slovenian writers (especially Valentin Vodnik, France Prešeren, and France Bevk) depicted Triglav and the mountain areas of Slovenia in literature from the Enlightenment to the interwar period. This is done through the prism of their aesthetic value and nation-building role, as well as their influence on the development of Slovenian sensibility, identity, and national consciousness. Inspiring the research was the conviction that the mountains occupy a special place in the collective memory of Slovenians, and that Triglav is a symbol of Slovenianness. An important point in the discussion is the comparative study of the origin and significance of Triglav (lit. “the three-headed one”) according to Slovenian (Janez Vajkard Valvasor, Anton Tomaž Linhart, Janez Trdina, Davorin Trstenjak) and Polish scholars (Henryk Łowmiański, Jerzy Strzelczyk, Aleksander Gieysztor, Andrzej Szyjewski), and how they correspond to the representations of Triglav in the works of selected Slovenian writers (Vodnik’s “Veršac,” Prešeren’s The Baptism on the Savica, Bevk’s The Dying God Triglav).
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