Vedno nove podobe Sredozemlja: turistični imaginariji Sredozemskega morja in pogled nanj z libanonskega literarnega gledišča
DOI:
https://doi.org/10.3986/pkn.v48.i3.04Ključne besede:
potopisno leposlovje, imagologija, Libanon, Sredozemlje, turistični imaginariji, libanonska identitetaPovzetek
Članek obravnava sodobne literarne pripovedi, ki tematizirajo in (re)konstruirajo libanonske imaginarije Sredozemlja, in jih primerja s tem, kako si Sredozemlje in njegove obale zamišljajo turisti. V središču pozornosti so raznolika libanonska pojmovanja Sredozemlja, ki se kaže kot sublimno in oživljajoče, a hkrati tudi kot nevarno in onesnaženo. Članek analizira štiri tekste: Lost in Beirut: A True Story (Izgubljeno v Bejrutu: resnična zgodba, 2021) Asheja in Magdalene Stevens, Between Beirut and the Moon (Med Bejrutom in luno, 2020) A. Nadžija Bahtija, Spring Rain (Pomladni dež, 2020) Andyja Warnerja in »The Sea Closes at 7:00« (»Morje se zapre ob 7.00«, 2022) Sabe Ajub. Primerjava teh pripovedi s pripovedmi, ki prevzemajo turistično gledišče – ali ki so namenjene turistom – pokaže, kako se posplošeni imaginarij Sredozemlja kot turistične oaze, ki bistveno odstopa od libanonske perspektive, poskuša prilagajati specifični libanonski resničnosti. Ta resničnost se pogosto močno razlikuje od izkušnje Sredozemlja, kakršno proizvaja turistična industrija globalnega Severa.
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