Dileme onkraj etike: kritika vzhodnega etičnega literarnega kritištva
DOI:
https://doi.org/10.3986/pkn.v47.i3.09Ključne besede:
literatura in etika, etična literarna veda, Vzhod in Zahod, Nie, Zhenzhao, Derrida, Jacques, Levinas, Emmanuel, Styron, William: Sophiejina odločitevPovzetek
Namen članka je primerjati vzhodno in zahodno etično literarno kritištvo ter odkriti morebitne omejitve kitajske različice etičnega literarnega kritištva pri obravnavi zahodne literarne produkcije. V prvem delu je vzpostavljen konceptualni okvir, in sicer s primerjavo med Nie Zhenzhaovim razumevanjem literature kot izraza etike, Derridajevim konceptom literature kot institucije, ki ima »pravico povedati vse«, in Levinasovim stališčem, da je etika »prva filozofija«, ki vključuje odgovornost do Drugega, pri čemer je treba upoštevati, da je bil celoten Levinasov filozofski projekt etični odgovor na vse oblike »absolutnega zla«, ki so se pojavile v 20. stoletju. Na podlagi te kontekstualne opredelitve članek v ospredje postavi odpiranje zgodovine po drugi svetovni vojni kot »cezure« (Philippe Lacoue-Labarthe) in pokaže, da je Niejevo teorijo sicer mogoče uspešno uporabiti pri preučevanju korpusa del od srednjega veka do realizma 19. stoletja, vendar pa se njegov koncept »etične izbire« kot analitičnega oprijemališča zlomi ob odzivu literature na grozodejstva 20. stoletja. Zadnji del članka se osredotoča na romane o holokavstu in predstavi študijo primera, ki prek analize romana Williama Styrona Sophiejina odločitev razkrije omejitve Niejevega etičnega literarnega kritištva.
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